Objects as the Point of Entry "The stories are always compelling, because everyone has amazing life experiences and because seemingly mundane objects connect to very powerful stories," Ellen S. says. Although the participants all have children in the same school district, they come from India, Pakistan, Italy, Eastern Europe, China, Korea, Africa, Haiti, and many other places. "Even if objects are from different countries, they often connect to stories about personal trials or important relations or family transitions, and those experiences are universal," points out Laura Wolfe, Assistant Coordinator of the program. And in talking about an object with personal meaning, people frequently reveal how they identify themselves. "Very often people will say, 'I'm a Muslim from Nigeria,' or 'I'm a Midwesterner,' and as they tell their stories, you learn something about those groups," says Ellen W. "Understanding more about who we are, where we come from, and what we value and respect helps us understand, value, and respect other people."
Connecting on Neutral Ground Given the current climate of unrest around the country and the world, having a safe place for people from different cultures to come together is more valuable than ever. Adults and children participate in guided activities over four consecutive Saturdays. They're picked up by bus and offered breakfast and a chance to socialize before activities begin. The children, who are in grades 3-5 at public schools in various New York City neighborhoods, are chosen on the basis of a teacher recommendation and the willingness of a parent or another significant adult to participate.
Building a Relationship With the Museum
Four Saturdays give the educators the chance to take participants behind the scenes and introduce them to Museum scientists and their tools and methods. After sharing stories
about personal objects, the adults divide into two groups and go out into the halls. Ellen S. points out that "we all curate our own collections in our homes. The Museum is just
a collection on a larger scale, with more objects collected by more people, and each one, whether it's a meteor or a gourd, has a story." The Cultural Halls tend to be a place
where we start, because "that's where the Museum is the most accessible. The objects there tell stories about people," but the whole Museum is available. "We take them where they're interested in going," Ellen S. continues. "We're really saying, 'This is your museum, please take it and own it. We're here to facilitate and listen because you have
much to teach us.'" Cynthia Pierce, the Program Coordinator, and Laura speak Spanish, and participants naturally assume the role of translator for anyone who speaks another
language. | |||
As they move through the halls, people start comparing impressions and sharing knowledge. After all, they've already demonstrated their mastery of the basic scientific method: observing, questioning, and forming hypotheses. "It's the same model as when they brought in their own objects," Laura emphasizes. "They know they have the skills, and that there are no rights or wrongs. All observations are valid." Ellen S. adds, "It doesn't really matter what hall they're in." Activities are not restricted to looking at exhibits. When the Hall of Biodiversity was being built, participants went behind the scenes and each got to make a leaf for the rain forest installation in the exhibit. In the Eastern Woodlands Hall, adults ground corn, tried on a baby board, and played Native American games. "Too often people think adults should be lectured to or shown a movie, but almost anything we do works with any age," Ellen S. notes. Adult participants really enjoy interacting with each other, but they also love the final session, in which they get to see what their kids have been doing, and then they're encouraged to work together with their kids to produce a final project. "It's hard to get kids to tell you what they're up to," one parent observed. "Here, we find out and help."
Community as Curator The purpose, Cynthia continues, is "to initiate a discussion about material culture: how the things that you use every day, whether a broom or a goblet, represent you." Hopefully the carts will be staffed by the parents and kids who created them. "It would be great to have them training us to use the cart, because the study of culture should be integrated," Laura says. When museumgoers become curators and communities choose how to represent themselves, the learning comes full circle. | |||